As buildings are designed to be stable and incorporate the environment, PROJECTS’ architects enjoy the paradox of creating an alarm clock collection which scream with color and rock the house. 

Michael Graves’ Newark Clocks came in four colors. Blue and Black are sold out.

Richard Gluckman, Michael Graves, Kisho Kurokawa and Laurinda Spear each contributed to erecting Building Timepieces II, a collection of alarm clocks which draws its inspiration from an earlier collection of watches designed by them and others and based upon museums. 

Richard Gluckman’s work displays sensitivity to existing building structures and the needs of modern architecture making him a perfect candidate to design the three dimensional alarm clock with its use of space, light and movement.

Richard Gluckman
Spare Time Alarm Clock, 1999

Kisho Kurokawa designs with abstract symbolism - each work gives its own independent geometric figure or image. This is easily seen in his use of circles and lines.

Laurinda Spear has changed Miami’s skyline forever with buildings like the Atlantis. Her Guangzhou alarm clock draws upon “building” of numbers within the dial; reflective of many skyscrapers worldwide.

“Sleeper” an Alarm Clock Designed by Richard Meier.  (sold out)

Alarm Clocks

As buildings are designed to be stable and incorporate the environment, PROJECTS’ architects enjoy the paradox of creating an alarm clock collection which scream with color and rock the house. 

Richard Gluckman, Michael Graves, Kisho Kurokawa and Laurinda Spear each contributed to erecting Building Timepieces II, a collection of alarm clocks which draws its inspiration from an earlier collection of watches designed by them and others and based upon museums.

The rest of the clocks are sold out.

Michael Graves’ use of color has become synonymous with his post-modern style as evidenced in his architecture, home accessories and including his previous designs for PROJECTS.

  
Michael Graves
Newark Museum Alarm Clock, 1999

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